Comparative Essay between La Goulue & Les Girard

The city of lights was all about fun and the nightlife during the 19th century. luckily enough, Jules Cheerer and Henry De Toulouse-Ululate were up to(p) to perfectly capture the essence of Parishs blooming nightlife through and through their wits. Generally speaking, both nebs atomic number 18 the same style, however, each trickist was able to create variant visual effects and atmospheric perspective victimization their receive aesthetic sense. In this situation, both posters be advertising to the witnesser the exhilarating nightlife n Parisian cabarets back in the 19th century.Yet, Latters poster managed to capture a distinctive and sensual atmosphere compared to Cheerers joyful atmosphere. Louise Weber, the womanly terpsichorean In Latters poster, crapper be seen performing the provocative cancan dance, which exposes her undergarments as she kicks her legs. The audience in the background looks as if they are interacting with the dancer point if they are Just watching her. Meanwhile, the dancers in Cheerers poster are cheerfully dancing with their hands in the air with no audience around.Even though the attends depicted in both posters are 2-dimensional, Latters poster has more sense because of the way he places his figures through out different layers. The male dancer and the unusual yellow shape on the left dominate the foreground. The chief(prenominal) accent of this image is the female figure placed in the aggregate and between the foreground and background. The tuneing silhouettes behind her further highlight the focus on her. The figure in the middle of Cheerers poster is wearing a vibrant red dress, which easily catches the viewers eye even though two lively nagging men overlap her.The two male figures are framing the woman in the middle with their legs. The soft, school textual matterured, and plain background contrast with the red and black of the prostrate figures and brings them out. on that point Is minimal use of shading, merely instead, crisp black lines outline the figures, giving the illustration a flat look. Nothing seems to defy a definite structure since there is no sense of strong, angular and straight lines hardly instead, the lines look more original as seen with the text and figures.This poster might look a smudge symmetrical but the artist drew both men who re facing each other with dismiss differences to add more to the ambiguous and organic feel of the Image. One of the main features of Less Gerard is how the text and illustrations can be seen interacting with one another. One figure looks like as if he is standing on the letter G while the other figure has his legs passing through the letter o. The small 3rd figure birth can be seen between the text and illustrations in the way they were rendered. The have a long pointed form.For example, the tip A in Less Gerard mimics the mans foot. The text was customized by the artist hence the similarities between the illustrations and the text. Ululate uses several different fonts in his poster. In this case, Latters font does not interact with the figures in the poster and does not look like it was drawn by hand but instead is placed on top of the figures with low opacity. The other text that is dominating the top part of the poster has more bold color and is outlined in black, which balances out the heavy image filled stool part of the poster.Since Ululate was influenced by Cheerer, the similarities in their piece of work. Ululate also chose to work using the same medium, lithography, which is why their work has strong bold colors. There is no doubt that both artists were influenced by the Nipponese style, as it is diaphanous in most of their work. The flat planes of color, 2-dimensional figures, and crisp black contour lines are elements from the Kikuyu-e woodblock print style. Latters composition of figures overlapping each other is also derived from the Japanese art style. On the other hand, the composition in Cheerers poster is about symmetrical.This shows us that even though Ululate was influenced by Cheerer, Ululate had a better understanding of Japanese art and was able to fuse that with his own work in order to produce his own style. In conclusion, the posters whitethorn seem to be very similar in style nevertheless, slight differences between those posters do exist and those differences showcase each artists unique touch. This demonstrates the unending cycle of an artist influencing another artist who in turn modifies and develops what he learned in order to develop his own style and that whitethorn even result in a whole new art movement.