Comparing Shakespeare Julius Caesar, Ibsens A Dolls House, and Millers Death of a Salesman :: comparison compare contrast essays

Tragedys Problem From Shakespeare Julius Caesar to Henrik Ibsens A Dolls House, trouble plays have taken form in character, plot, and even setting. It is not necessary for a problem play to be considered a problem play just be stick it was not indite in the era period of when problem plays were formed. Arthur Miller disproves this speculation and successfully wrote a problem play in the modern time period his play was cobblers last of a Salesman. The timely struggles that characters such as Willy Loman face, eventually lead to a major personal problem that, in this case, leads to death. Problem plays deal directly with genial and paid issues. Death of a Salesman is a prime example of a character struggling with social and professional problems. Problem Plays Problem plays were first invented at the time of William Shakespeare. His plays, including Alls Well, beat for Measure, and Hamlet, are under the category of problem plays (Schanzer, ix). Many authors have written of Sha kespeare and his problem play. F.S. Boas was one of these men. He once wrote, All these dramas introduce us into highly artificial societies, whose civilization is ripe unto rottenness...Thus throughout these plays we move along dim untrodden paths, and at the close our feeling is neither of only when joy nor pain (Schanzer, 1). An artificial society is exactly what is created in Millers Death of a Salesman. Problem plays suggest major personal, social, political or professional issues in which each problem is timely, realistic and a character experiences these situations in real places and the problems have real outcomes. The idea of real-ness opens the door to problem plays. fervent Unhappiness Miller deals with more than the simplicity of Willy Lomans eager unhappiness. It deals ultimately with the alleged(prenominal) American Dream. The extreme power of mankind to create an image of independence and self-equality sets this play in motion. One critic of the play, Craig Garris on, stated in an look for The play makes, finally, no judgment on America, although Miller seems always on the verge of one, of telling us that America is a nightmare, a cause of and a home for tragedy (Garrison, The System). Making America the nightmare that is the home for tragedy ultimately puts the American Dream to shame and makes the lives of good deal like Willy Loman a dream in itself. Willy continually fantasizes about the stir in the west.