A Critical Analysis of the Arthurian Tale Sir Gawain and The Green Knight in the context of Literary Theory

This fabrication is in the customs of Arthurian stories about the Legendary King Arthur and his Knights of the Round Table. This is a rhyming poem belonging to the romantic genre of Arthurian legends.The author is anon. and is simply referred to as the Gawain poet or the Pearl poet and is dated Ca. 1340-1400 from West Midlands in England, Sir Gawain and the kelvin Knight tells a tale of how Sir Gawain, a member of the esteemed Knights of the Round Table in King Arthurs court at Camelot, accepted a challenge from a mysterious stranger, referred to as the Green Knight, who suddenly barges in on a merry feast in King Arthurs Court.The story contains points, both in a libber and in a Marxist reading, that exhibit both positive and forbid symbolisms, thus, inevitably furthering the contention that this is also very Deconstructivist which is another literary scheme and reading of the story. Certain symbolisms, themes and tones in the story show this is so, by world capable of havi ng both pro and anti- Feminist and Marxist elements, which would be discussed in a more detailed manner in the following pages.FEMINISIT interpretationWomen are systematically degraded by receiving the trivial attentions which men sound off it manly to pay to the sex, when, in fact, men are insultingly sustenance their own superiority. (Wollstonecraft, 1759)Much can be gleaned when giving this piece a womens liberationist reading. To start with, this belonging to the classic gothic Age Romance and it creation one of the Arthurian Legend makes it a very easy intention for being tagged as anti Feminist.The very concept of the Medieval Age, and the mere mention of Arthurian Legends is in itself enough subject of anti Feminist repartees. The very fact alone that this era is characterized by olden dominance and machismo is a strong enough qualification to chase this outright as an anti Feminist story, without even going to the compend of the story. The around obvious of all is the general tone and obvious patriarchal system of the story.There is a King who is high and mighty, and he rules over his subjects. The most loyal, admired and feared heroes are the Knights of the Round Table, whom, are all men. The Queen Guinevere is draw as if she was a wall flower in all these merry bold display of masculine superiority, and is even deemed to be quiet, and not to range anything. In some translations of the story she is even said to sit beside Gawain, and not beside his supposed husband.The mention in the text that she presides over the festivities is merely titular, if at all, a token too trifle. With such a patriarchal system, it follows that the story also shows phallocentrism. If Camelot, the supposed Utopia is all patriarchal, what more could be expected of in the real world?When Sir Gawain left on his quest to fulfill his bless to the Green Knight, he came upon a castle, where the lord of the castle, Bertilak of Hautdesert told him to give to him whatev er he gets in exchange for the game he hunted. While the lord is away, the gentlewoman of the castle is left idling away on the castle, and falls to seducing the visitor. This brings to sound judgment another archetypal typecasting or stereotyping of women the Sinner/Saint stereotypes.In this story, Guinevere is the pure initiative the saintly woman of virtue, while the wench Bertilak is typecast as the evildoer/slut/whore impure woman. There is an imposition of impossible virtues to the women as patently due to a macho image and in melody to how a man should be chivalrous and upright.The seduction of the Lady Bertilak as opposed to the chastity of Queen Guinevere is clearly a male obligate virtue and rule of morals to how women should act. They should silently preside over ceremonies, as Guinevere does, or should patiently wait for his husband to come home, as the Lady Bertilak should have done.